《Fluid Calligraphy》

The inspiration for this work comes from the combination of calligraphy and dance: dance is fluid calligraphy. Elements of Tai Chi are incorporated, with breathing serving as the momentum for movement, similar to both Tai Chi and modern dance. The use of light and shadow (chiaroscuro) represents the black and white, Yin and Yang, in calligraphy and Tai Chi diagrams. The dancers' bodies represent ink, and the stage represents the rice paper on which they write. Fabric and sticks are used to represent rice paper and brushes, respectively, while video is used alongside the dancers to demonstrate the clear process of writing. The purpose of the entire composition is to create a serene world of calligraphy for the audience to immerse themselves in.

Choreographer: Ying Liu

Performers: Yi-Ma Lin, Ping-He Wang, Xiao-Xuan Hou, Xin-Yu Wu

《Bananas, Yanpu, and Workwear》

Half of who we are is water. Inside us, the heartbeat turns this water into waves, gently striking the edges of our souls. We are living vessels, each carrying a miniature ocean, flowing and intertwining with others in the vastness of the world. In every meeting, there is a collision and a silent ripple of messages passed between hearts. In this infinite flow, what remains? What do we take with us? Like the tide that leaves and returns, some parts of us are held tight, while others are destined to wash away with the current.

Choreographer: Chun-Wei Fang

Costume / Space Design: Chun-Wei Fang 

Music / Sound Design and Execution: Enoch Chen 

Performers: Chun-Wei Fang, Shao-Tong Zeng